As C.P. Snow's "two cultures" pointed out, we are accustomed to thinking of the arts and humanities as being somehow removed from or even opposed to science and technology. But a closer look at actual cases often shows a more complex and friendly relation; nowhere do we find a more interesting case than Coach House Press in Toronto, a tiny literary publisher and fine-art printing house that in the 1970s drove headlong into the digital era, finding the bleeding edge of digital technology, and anticipating by three or four decades the moves that their peers in the book industry are beginning to make only now.