Historical Perspectives on Canadian Publishing
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Historical Perspectives on Canadian Publishing
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Themes

  • Publishing Houses and the Periodical Press
  • People in Publishing
  • Authors and Their Publishers
  • The Business of Publishing
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Personal Information

Full Name
Judy Donnelly
Bio

Judy Donnelly was project director and co-editor of Historical Perspectives on Canadian Publishing. She was project manager for the History of the Book in Canada/Histoire du livre et de l'imprimé au Canada, and is an avid Canadian book historian.

Affiliation
McMaster University
Country
Canada
Personal Statement About Topic

Jack McClelland and McClelland & Stewart have been in my life for twenty years, since Carl Spadoni and I began working on A Bibliography of McClelland & Stewart Imprints, 1909-1985: A Publisher's Legacy (Toronto, 1994). A subsequent contract as research assistant for James King's Jack: A Life with Writers; The Story of Jack McClelland (Toronto, 1999) enabled me to more closely examine the vast M&S papers and Jack McClelland's own archives at McMaster. Reading hundreds of letters he wrote - many dictated late at night with a drink and smoke in hand - gave me an intense appreciation for this complex man and for his extraordinary commitment to his company, his authors, and his country. It was an honour to meet him over lunch here in Hamilton (he spoke mostly of an idea he had at the time, involving children's books and a fast food outlet) and I mourned his loss in 2004. Jack McClelland was a great Canadian hero. It's an honour to write about him and the company he led for so many years.

Case studies by Judy Donnelly

Case study :

Bradley-Garretson Company Limited

Subscription publishing is a method of bookselling in which publishers, authors, and book agents used advertisements, sample books, and other promotional materials, to solicit subscribers in advance of publication, to avoid financial loss. A well-known example is Canadian Wild Flowers (Montreal, 1868), for which Agnes Fitzgibbon enlisted 400 subscribers. From c. 1870 to 1910, companies used various persuasive techniques to enlist book agents, and subscription publishing flourished in Canada. Bradley-Garretson, of Brantford and Toronto, Ontario, was one such publisher, and purported to have “two to three thousand” agents working across Canada in the mid-1880s.

Case study :

Clarke, Irwin & Company Limited

Founded during the early years of the Depression, Clarke, Irwin & Company was a major publisher for over 50 years. One of the company founders, Irene Irwin Clarke, would become its president and general manager in 1955, earning the title “the first lady of the publishing industry.” The firm focused on quality educational materials for Canadian schools, but also published such authors as Robertson Davies, Marian Engel, Adele Wiseman, and Timothy Findley, several poets, including Alden Nowlan, and the writings of artists Emily Carr and A.Y. Jackson.

Case study :

Jack McClelland and McClelland & Stewart

Penning a tribute to publisher Jack McClelland, Leonard Cohen wrote: “You were the real Prime Minister of Canada.” His words were not merely poetic: he knew, as did hundreds of other Canadian writers, that McClelland had nurtured, cajoled, soothed, and at times infuriated them, in order to bring their books to readers across the country and around the world, at times taking great financial risks to do so. In a career that spanned over forty years, McClelland’s author roster crossed boundaries of fiction, poetry, non-fiction, political writing, and textbooks, and included Cohen, Margaret Atwood, Pierre Berton, Austin Clarke, Matt Cohen, Marian Engel, Basil Johnston, Irving Layton, Margaret Laurence, Farley Mowat, Peter Newman, Mordecai Richler, and Gabrielle Roy. As biographer James King noted. “He is our Prospero, the man who shared his love of books with his fellow countrymen.”

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This website was made possible by the Canadian Culture Online Program of the Department of Canadian Heritage, Library and Archives Canada and the Canadian Council of Archives


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